Deftones sharpen their heaviness on Private Music
Private Music works because Deftones don’t try to become a different band. In 2025, they sound tighter, heavier, and more precise, with Chino Moreno and a compact sequence doing a...
Saint Marie |
Album Reviews
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Nothing’s A Short History of Decay turns shoegaze into a fight between comfort and risk
Nothing’s 2026 album A Short History of Decay is strongest when its heavier shoegaze instincts collide with riskier structures, breakbeats, and vulnerable writing, even if parts of it slip back...
Saint Marie |
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Noah Kahan’s bigger songs keep the home address in view
The Great Divide doesn’t try to turn Noah Kahan into a different artist. It makes his confessional folk bigger, roomier, and occasionally better, while also exposing where that familiar approach...
Saint Marie |
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Rosalía turns Lux into pop as prestige cinema
On Lux, Rosalía builds pop with the pacing and scale of a carefully staged film, turning structure, orchestration, and standout songs into one of 2025’s most striking releases.
Saint Marie |
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Bad Bunny’s Puerto Rican homecoming, built from old rhythms and new pressure
Bad Bunny’s Debí Tirar Más Fotos works because its return-to-Puerto-Rico theme is carried by the music itself: salsa, plena, bolero, perreo, and urbano arranged with real discipline from start to...
Saint Marie |
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Playboi Carti’s Voice Is the Real Spectacle on MUSIC
Playboi Carti’s 2025 album MUSIC is at its strongest when his voice does the heavy lifting, shifting between raspy lows, pitched-up flashes, and layered effects that keep a sprawling record...
Saint Marie |
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Virgin Finds Lorde Cutting the Gloss and Leaving the Guts Behind
Lorde’s 2025 album Virgin works best when its jagged synths, blunt writing, and pop hooks all pull in the same direction. It’s a strong, uneasy record that doesn’t always land...
Saint Marie |
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Toadies’ The Charmer: raw riffs, hard truths, and no studio gloss
Toadies return in 2026 with a stripped-down, guitar-first record that leans on directness, sharp hooks, and the band’s old muscle without turning into a nostalgia trip.
Saint Marie |
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Gorillaz’ The Mountain asks how much polish a song can carry
Gorillaz return in 2026 with a 15-track record shaped by Indian musical influence, grief, and heavy collaboration. The Mountain is richly built and often striking, even when a few songs...
Saint Marie |
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Mutiny After Midnight: Johnny Blue Skies Turns Disco Into a Barroom Brawl
Johnny Blue Skies makes a loud, filthy, politically charged left turn on Mutiny After Midnight, but the real story is how tightly the grooves hold together.
Saint Marie |
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Glare’s Sunset Funeral and the Pull Between Haze and Impact
Glare’s Sunset Funeral works because its hazy shoegaze pull keeps running into harder riffs, tighter percussion, and flashes of alt-metal and hardcore weight.
Saint Marie |
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Ye’s reset still sounds unfinished on Bully
Bully arrives in 2026 framed like a reset for Ye, and there are real signs of tighter focus. But cleaner production and a few strong tracks can’t hide an album...
Saint Marie |
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The Cure - Songs of a Lost World
Whether you're lost in nostalgia for the band’s heyday or curious about what they’re offering now, Songs of a Lost World is well worth the listen.
Wyatt Parkins |
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Tragic Magic by Madder Rose: The Hidden Gem That Slipped Through the Cracks
"Listening to Tragic Magic is like opening a time capsule from my late teens."
Wyatt Parkins |
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BLEED - SOMEBODY'S CLOSER - REVIEW
"thick fuzz driven guitars and catchy melodies that stick with you long after the music stops playing"
Wyatt Parkins |
